Archive for Svar Kamble

Saif Ali Khan was super chilled: Svar Kamble

Posted in Movies with tags , , , on November 13, 2017 by saifalikhanonline

I love acting, but I want to pursue cinematography,” says the 14-year-old Svar Kamble, who was one of the star attractions at the opening ceremony of the International Children’s film festival. The child actor, who shot to fame with Saif Ali Khan’s Chef, was thrilled to catch a glimpse of himself on the big screen as his film School Chalega, was screened on Wednesday. The 110-minute-long film, directed by Ameet Prajapati, revolves around the story of two slum children, one of who, Kaali, protects the other deaf and mute child, Goonj from trafficking sharks. But what he’s really excited about is donning the jury’s cap for the festival. “I’m looking forward to some great films and visuals, which I could probably use along the way. I also hope to work with some of the little directors who are here,” he adds. Svar is part of 12-member child jury panel, who will join the adult jury in selecting best films in various categories.

The confident youngster has already worked with two of Indian cinema’s biggest matinee idols, Saif Ali Khan (Chef) and Dhanush, in his upcoming hollywood flick, The extraordinary journey of a Fakir. working with such big names has only inspired him to learn more, says Svar. “Working with Saif and Dhanush taught me a lot. But they both are very different. With Saif, I used to discuss global issues. We had lot of deep conversations as we were on the move for a large part of the shoot. Saif is so chill that we once began talking about our

existence when we were stuck in heavy traffic,” says Svar. He adds, “Dhanush is really humble and kind, with no arrogance at all. So, he would really help me get things right as it was a Hollywood project we worked on.” While both his co-stars inspired him, looks like he has more than just acting on his mind. “Acting is great but I was blown away by Priya Seth’s cinematography in Chef! In one of the shots, she moves the camera from the top of a double-decker bus all the way to the bottom, with no cuts!” gleams the young boy. “There is so much to learn about camera movements, and that’s where the fun lies,” he adds, utterly bewildered with the art of filmmaking.

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